Jumat, 29 April 2011

[A849.Ebook] Free PDF Come Sundown, by Nora Roberts

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Come Sundown, by Nora Roberts

Come Sundown named as one of Whoopi Goldberg's "Favorite Summer Reads" on ABC's The View and one of NY Post's biggest blockbuster "Whizbang Books" of the summer.


A novel of suspense, family ties, and twisted passions from the #1 New York Times bestselling author of The Obsession...

The Bodine ranch and resort in western Montana is a family business, an idyllic spot for vacationers. A little over thirty thousand acres and home to four generations, it’s kept running by Bodine Longbow with the help of a large staff, including new hire Callen Skinner. There was another member of the family once: Bodine’s aunt, Alice, who ran off before Bodine was born. She never returned, and the Longbows don’t talk about her much. The younger ones, who never met her, quietly presume she’s dead. But she isn’t. She is not far away, part of a new family, one she never chose—and her mind has been shattered…

When a bartender leaves the resort late one night, and Bo and Cal discover her battered body in the snow, it’s the first sign that danger lurks in the mountains that surround them. The police suspect Cal, but Bo finds herself trusting him—and turning to him as another woman is murdered and the Longbows are stunned by Alice’s sudden reappearance. The twisted story she has to tell about the past—and the threat that follows in her wake—will test the bonds of this strong family, and thrust Bodine into a darkness she could never have imagined.

  • Sales Rank: #46 in eBooks
  • Published on: 2017-05-30
  • Released on: 2017-05-30
  • Format: Kindle eBook

Review

“Roberts always tells a good story that balances romance and suspense, but in this title, the narrative is deeper, the mystery is more layered, and with Alice, Roberts moves into another level of exploring physical and emotional trauma and the powerful balm of family and love. [Roberts] is moving into more complex and darker storytelling, to terrific effect.” --Kirkus Starred Review

"With its take-no-guff heroine, who understands the importance of family and friends, and a compelling plot peppered with domestic details and composed of equal measures of spine-tingling suspense and sexy romance, this is quintessential Roberts."--Booklist Rave Review

“What makes this novel most engaging is Roberts’s ability to suffuse her story with rich details of one family’s life, as well as sizzling doses of romance and mystery.”--Publishers Weekly

About the Author
NORA ROBERTS is the #1 New York Times bestselling author of more than 200 novels, including The Obsession, The Liar, The Collector, Whiskey Beach, and many more. She is also the author of the bestselling In Death series written under the pen name J.D. Robb. There are more than 500 million copies of her books in print. She lives in Keedysville, MD.

Most helpful customer reviews

188 of 194 people found the following review helpful.
This path has already been heavily tread
By Danielle
*sigh*

This is a Nora Roberts, so of course I bought and read it—or tried to. Many people I’m sure do the same, and that’s why Roberts can afford to toss out this kind of crap. Brand recognition is priceless in marketing.

Roberts wrote this story years ago, except it was titled Montana Sky, and it was so much better.

Let me tell you what happened the first quarter—or “part” as Roberts likes to section it unnecessarily. We jump back and forth from past to present between a young woman who was abducted and forced to experience unspeakable horrors—I mean, been there, done that, in Roberts’ books alone—and the heroine, who does the most truly fascinating thing I’ve ever read—she goes through her morning routine, then goes to work, puts together agendas, and attends meetings.

Yeah. Seriously.

This book was so boring that at one point, maybe about a third of the way through, I got sick of spacing off and having to reread passages that I just shook my head and started flipping through pages, trying to find something exciting or even just interesting. So many scenes were irrelevant to any plot, whether it was the thriller or the romances. Some scenes were fluffy bits of nonsense with one important line thrown in. What a tangled, tedious mess of tones and points of view. Just a mess.

I knew Bo and Cal were supposed to be the main characters, but honestly, this wasn’t their book. If it was anyone’s, it was Alice’s, though we got to spend time with just about everyone, which annoyed the crap out of me. There was no focus. The book wanted to be too many things at once, and ultimately didn’t manage any of them. I didn’t care about the characters. Cal’s horse, Sundown, had more personality than he and Bo combined. And “Bodine Longbow”? Really? Did Roberts find a name generator website, select the categories of ‘hick’ and ‘western,’ and go with the first random name it threw at her? She’s used the name Bodine in at least two other books (Carolina Moon and Born in Shame, though in the former it was spelled “Bodeen”).

(Apologies to anyone named Bodine Longbow.)

It was just such a retread of many of Roberts' books. The Bodine name, a ranch in Montana, all the siblings in the same family falling in love at the same time, a religious fanatic villain who takes the Bible literally, a not-so-unexpected family connection to the villain (I suspected him the moment I met him), and an obvious misdirect. There was even a wedding and the planning thereof. It's not identical to Montana Sky or any other book, but it's far too similar for its own good.

So yeah, I didn’t read the whole thing; I just read the parts that included Alice, because she was the most interesting character out of the lot, the only one with an arc. And honestly, I don’t feel I missed anything.

To be fair, though, the writing style was pretty good, even if the story crafted in that style was crap. Roberts is exceptionally talented—if only she would write a story that isn’t a waste of her time and ours. If I had any complaints about the writing itself, it would be that there wasn’t enough action or physical description with dialogue, like mannerisms or facial expressions. We were largely left to assume the tone implied, and sometimes I had to stop and puzzle over the nuances within a conversation. If you aren’t accustomed to how Roberts speaks/writes, you might get confused.

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138 of 144 people found the following review helpful.
Not Nora's Best
By Carole Lake
I usually love Nora Roberts, but this is not one of her best. The positive: as she always does, she created an intricately detailed world, with well-developed characters. Unfortunately it's one she's created before. The negative: it dragged on and on and on. And the predictable ending was... hurried, poorly described, and improbable. Too many subplots not resolved, And, I'm sorry, but this is the last time I'm paying 14.99 for a Kindle book. It's the last time I automatically pre-order a Nora Roberts book. She writes trilogies and stand alone romantic suspense. This felt like a trilogy that didn't quite gel.
If I didn't think it was unethical to return a book I actually did read, I would have returned this one.
I love Nora Roberts' books. I do. I read and re-read them. Not this one. The best character was Sundown, the horse, because he could be cute and he didn't talk.

96 of 99 people found the following review helpful.
Could not finish
By Amazon Customer
Nora Roberts is my favorite author and I am shocked to find I just could not get through this book. The only character I could really connect with was Alice and her story is so dark it is overwhelming. I know very bad things happen every day, but I read to get away from everyday life for a while, I do not expect to end up sicken and depressed especially from a Nora book. This is my last Nora pre-purchase, I will read a sample before buying from now on.

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Rabu, 27 April 2011

[Q849.Ebook] Ebook Download How 2 Become a Train Driver (How2become Series), by Richard McMunn

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How 2 Become a Train Driver (How2become Series), by Richard McMunn

  • Sales Rank: #7075899 in Books
  • Published on: 2010-02-08
  • Number of items: 1
  • Dimensions: 7.83" h x .47" w x 5.20" l,
  • Binding: Paperback
  • 200 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Revelation
By Gbola
This book is fantastic. I read a few pages on this book today and was very impressed with the amount of material I got through on. This book is helpful. After reading the book I feel focused and I know exactly what I need to work on to prepare myself for my assessment day. I highly recommend this book to anyone out there who is searching for opportunities like this

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Sabtu, 23 April 2011

[R996.Ebook] Ebook Twelfth Night, or What You Will: The Oxford Shakespeare Twelfth Night, or What You Will (Oxford World's Classics), by William Shakespeare

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Twelfth Night, or What You Will: The Oxford Shakespeare Twelfth Night, or What You Will (Oxford World's Classics), by William Shakespeare

Twelfth Night is one of the most popular of Shakespeare's plays in the modern theatre, and this edition places particular emphasis on its theatrical qualities throughout. Peopled with lovers misled either by disguises or their own natures, it combines lyrical melancholy with broad comedy.

The introduction analyses its many views of love and the juxtaposition of joy and melancholy, while the detailed commentary pays particular attention to its linguistic subtleties.

Music is particularly important in Twelfth Night, and this is the only modern edition to offer material for all the music required in a performance. James Walker has re-edited the existing music from the original sources, and where noe exists has composed settings compatible with the surviving originals.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

  • Sales Rank: #212989 in Books
  • Published on: 2008-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.00" h x .80" w x 7.50" l, .60 pounds
  • Binding: Paperback
  • 256 pages

From School Library Journal
Grade 4-8-In this verbal and visual treat, readers have the opportunity to enjoy one of Shakespeare's best-loved comedies. Coville's author's note explains that his prose adaptation is "not meant as a replacement for the original, but as an appetizer for the greater feast still to come." Thus, the story is clear and carefully told, making it easy both to follow the primary and secondary plot lines and to appreciate the intricacies of their interweavings. Coville keeps the flavor of the playwright's poetic language by using actual quotes from the play and expressions and a formal sentence structure true to the style of Elizabethan times. Delightful full-page, colored pen-and-ink illustrations add just the right touch of humor to the already wacky tale. Raglin gives a distinctive identity to all of the characters, despite their attempted disguises, and he does a particularly good job of differentiating the buffoons of the subplot from the more realistically drawn dramatis personae. Colors and designs clearly suggest the Italian court dress of the times, and accurate architectural details add life to the settings. More suited to modern audiences than Charles and Mary Lamb's classic Tales from Shakespeare (Signet, 1986), and far better written than Jan Dean's Twelfth Night (Oxford, 2002), this is a version that will have young listeners begging to portray the Bard's scenes onstage. And, isn't that, after all, the whole point?-Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RI
Copyright 2003 Reed Business Information, Inc.

From Booklist
Gr. 3-6. The latest in Coville's series of retold Shakespearean plays, this volume provides a short, prose version of Shakespeare's Twelfth Night, a romantic comedy that offers young people such promising elements as separated twins, a woman disguised as a man, a drunken buffoon, courtship, swordplay, mistaken identity, and a practical joke. Though simplified, the story is intact and bits of the original language are preserved. Large-scale ink drawings, warmed with tints of color and shaded with cross-hatching, clearly depict the action. As Coville states in his Author's Note, "Twelfth Night remains one of the most read and performed of Shakespeare's plays." Children looking for a preperformance introduction to the play's twisting plot will find this an appealing choice. Carolyn Phelan
Copyright � American Library Association. All rights reserved

Review
`The commentary on Twelfth Night is alive with the editors' feeling for the play in performance.' M.M. Mahoud, University of Kent, YES, 27, 1996

Most helpful customer reviews

12 of 12 people found the following review helpful.
Excellent addition to your 12 Night shelf
By Sammy Clemens
There are several really worthwhile editions of 12th Night, but don't overlook this one.

The Foreword and notes are excellent and useful; the format's sturdy and readable.

It's a good copy to have for the scholar/performer/director.

14 of 15 people found the following review helpful.
Understanding Shakespeare
By Amazon Customer
For a long time I would not let my students use No Fear because I wanted them to be able to read the play in Shakespeare's words, but when I tired to discuss the plays with them, I always felt like I was the only who read the play. (I use it for Hamlet as well.) After I let them use it the first time, I was so excited to hear my students' comments on the play because they actually understood what they were reading. When they write about the play and when we discuss it, we use Shakespeare's words. We also compare the modern words and Shakespeare's words. I really like the No Fears and recommend them to people who really want to understand Shakespeare. I have taught high school and am now teaching at a university, so I know the No Fears are great on both levels.

17 of 20 people found the following review helpful.
Naxos complete recording the best so far
By F. Behrens
Please notice that G.H.'s in-house review above does not refer to the recording pictured above, nor do any of the reviews so far. What follows refers only to the Naxos set.
There are now three complete recordings of available. We have the older and elegantly read version on Harper Audio with Dorothy Tutin as the best Viola of the lot. Acted with a bit more verve though with less poetry is the Arkangel Shakespeare recording with a Scottish Malvolio and a cast of younger sounding actors who are making names for themselves in Great Britain. However I am very impressed with the "Twelfth Night" that is one of the latest additions to the Naxos Classic Drama series.
By far, this is the best-produced "Twelfth Night." One actually feels he is hearing an actual stage performance with all of the action but with the loss of none of the poetry. Perhaps the Viola does sound a little maturer than imagination would have her and the Sir Toby Belch a little less belchy sounding than others. None of the Festes sing as marvelously as did Peter Pears on the long deleted Marlowe Society recording (also with Tutin); however, on this Naxos set David Timson stays nicely in tune--and directs the production to boot. And he keeps things moving neatly along, which is saying a lot for Shakespeare recordings.
The CD version has the advantage of excellent tracking cues for not only each scene but for key points within the scene. The Harper CDs give a new track only for each new scene and the tapes (of course) are quite useless in that regard. The Arkangel series at present exists only on tapes but they are planning to reissue the entire series on CDs. So this Naxos release is the one of choice so far.

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Jumat, 15 April 2011

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Quantum: Einstein, Bohr and the Great Debate about the Nature of Reality. Manjit Kumar, by Manjit Kumar

  • Published on: 2012
  • Original language: English
  • Dimensions: 9.69" h x 1.77" w x 7.44" l, .0 pounds
  • Binding: Hardcover

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Rabu, 13 April 2011

[O120.Ebook] Get Free Ebook Blows Like a Horn: Beat Writing, Jazz, Style, and Markets in the Transformation of U.S. Culture, by Preston Whaley Jr.

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Blows Like a Horn: Beat Writing, Jazz, Style, and Markets in the Transformation of U.S. Culture, by Preston Whaley Jr.

Reopening the canons of the Beat Generation, Blows Like a Horn traces the creative counterculture movement as it cooked in the heat of Bay Area streets and exploded into spectacles, such as the scandal of the Howl trial and the pop culture joke of beatnik caricatures.

Preston Whaley shows Beat artists riding the glossy exteriors of late modernism like a wave. Participants such as Lawrence Lipton, Lawrence Ferlinghetti, and at great personal cost, even Jack Kerouac, defied the traditional pride of avant-garde anonymity. They were ambitious to change the culture and used mass-mediated scandal, fame, and distortion to attract knowing consumers to their poetry and prose.

Blows Like a Horn follows the Beats as they tweaked the volume of excluded American voices. It watches vernacular energies marching through Beat texts on their migration from shadowy urban corners and rural backwoods to a fertile, new hyper-reality, where they warped into stereotypes. Some audiences were fooled. Others discovered truths and were changed.

Mirroring the music of the era, the book breaks new ground in showing how jazz, much more than an ambient soundtrack, shaped the very structures of Beat art and social life. Jazz, an American hybrid--shot through with an earned-in-the-woodshed, African American style of spontaneous intelligence--also gave Beat poetry its velocity and charisma.

Blows Like a Horn plumbs the actions and the art of celebrated and arcane Beat writers, from Allen Ginsberg to ruth weiss. The poetry, the music, the style--all of these helped transform U.S. culture in ways that are still with us.

  • Sales Rank: #3585028 in Books
  • Brand: Brand: Harvard University Press
  • Published on: 2004-07-27
  • Released on: 2004-08-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .69" w x 5.50" l, 1.05 pounds
  • Binding: Hardcover
  • 288 pages
Features
  • Used Book in Good Condition

Review
Mr. Whaley, in this book, takes an academic approach to a subject that is just now beginning to attract scholarly interest. He thoroughly fleshes out a range of sources that span the artistic spectrum in order to give balance and objectivity to his treatment of American culture during the bebop and beat eras. The 1960s, with the Civil Rights Movement, the advent of hippie culture, and the protests against the Vietnam War, has long garnered attention from scholars, writers, musical historians, and filmmakers alike. In the popular conception of pop culture, the 1950s are often labeled boring or drab by comparison. Preston Whaley's analysis, however, will go a long way toward identifying the cultural movements of the 1940s and 1950s as part of a linear whole, a direct predecessor of the cultural revolution of the late 1960s. (Douglas Brinkley, author of World War II: the Axis Assault, 1939-1942)

This book has a nice exuberance and conviction, a consistent vision and a persuasively engaging tone. It has a winsome, masculinist, optimistic, expansive style that is reminiscent of beat literature itself. (Maria Damon, author of The Dark End of the Street: Margins in American Vanguard Poetry)

Whaley's Blows Like a Horn made me want to read ruth weiss, see The Subterraneans, reread Visions of Cody and well, I already listen to Coltrane and read Howl all the time...but these are signs to me of a very effective book. Whaley wants to find a new way of talking about the Beats and post-Beat culture, one that doesn't fall into the rhetoric of liberation and resistance that is so common in the analyses of this genre, or to the cultural studies critiques of the beats that have pointed out the movement's appropriation by the hegemonic structures of Western, white, patriarchal, hetero capitalism and left it there. Whaley looks for a hitherto ignored space in Beat culture in which the aspirations, experiments and prejudices of the Beats can be directly related to precisely the kind of struggles that cultural studies itself is engaged in as a field. The Beats may not solve all problems, but they are aware of many of them, to varying degrees. There's a subtle, improvisatory quality to Whaley's writing that mirrors the kind of in situ politics and aesthetics that he's trying to evoke in Beat culture. He moves between high and low, personal and theoretical as the situation needs. He talks to the reader directly. There's a refreshing directness here, a willingness to address fundamental human situations. (Marcus Boon, author of The Road of Excess: A History of Writers on Drugs)

Looking at the interface between literature and jazz, Whaley focuses on the development of the Beat scene and the social and economic factors that fed it. 'Immediacy of emotion' is what he finds central to--and prizes in--both the poetry and music that came of age in the Beat period. A rich sense of political history enhances Whaley's analysis and his writing on jazz is as knowledgeable as his grasp of the literature of the period. He discusses such major figures in the movement as Allen Ginsberg and Jack Kerouac, offering particularly original and compelling studies of the often-disparaged film version of Kerouac's Subterraneans and of Kerouac's posthumous novel, Visions of Cody. Equally valuable is discussion of less-known personalities (ruth weiss, Bob Kaufman) and the personal and social infighting in the Beat subculture...Written in a clear and forceful style...this volume deserves a long life. (B. Wallenstein Choice 2005-02-01)

About the Author
Preston Whaley, Jr., is a freelance scholar, writer, and musician living in Florida.

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0 of 0 people found the following review helpful.
Great book
By reef-nerd
Wonderful book used it in a research paper. Whaley does a nice job showing the correlation between jazz and the beat poets.

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Selasa, 12 April 2011

[T423.Ebook] Download Ebook A Boy's Own Story: A Novel, by Edmund White

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A Boy's Own Story: A Novel, by Edmund White

Originally published in 1982 as the first of Edmund White's trilogy of autobiographical novels, A Boy's Own Story became an instant classic for its pioneering portrayal of homosexuality. The book's unnamed narrator, growing up during the 1950s, is beset by aloof parents, a cruel sister, and relentless mocking from his peers, compelling him to seek out works of art and literature as solace-and to uncover new relationships in the struggle to embrace his own sexuality. Lyrical and poignant, with powerful evocations of shame and yearning, this is an American literary treasure.

  • Sales Rank: #190318 in Books
  • Brand: White, Edmund
  • Published on: 2009-02-24
  • Released on: 2009-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.74" h x .53" w x 5.04" l,
  • Binding: Paperback
  • 196 pages

Review
"With A Boy's Own Story American literature is larger by one classic novel."
-The Washington Post Book World

"Edmund White has crossed J. D. Salinger with Oscar Wilde to create an extraordinary novel."
-The New York Times Book Review

"Every so often a novel comes along that is so ambitious in its intention and so confident of its voice that it reminds us what a singular and potent thing a novel can be. One of these is A Boy's Own Story."
-San Francisco Chronicle

From the Inside Flap
For more than two decades, Edmund White has been widely recognized as America?s preeminent gay writer. ?He has a novelist?s eye for the telling detail or the remarkable phrase and, like Proust himself, concentrates upon the minutiae of the past so that it might live again,? wrote The New York Times Book Review. ?White possesses the rare combination of a po-etic sense of language and an ironic sense of humor,? declared Newsweek. ?[He] is unquestionably the foremost American gay novelist.? Commemorating the twentieth anni-versary of A Boy?s Own Story, this Modern Library edition presents White?s autobiographical novel together with an Introduction by prizewinning novelist Allan Gurganus and a new Afterword by the author himself.

A Boy?s Own Story, with equal parts stunning lyricism and unabashed humor, traces a nameless narrator?s coming-of-age in the 1950s. Struggling with his homosexuality, the narrator seeks the consolations of a fantastic imagination and fills his head with romantic expectations (?I believed without a doubt in a better world, which was adulthood or New York or Paris or love.?) His distant, divorced parents exacerbate his hunger for emotional connection, and he endures the unhelpful attentions of a priest and a psychoanalyst. In time, he recognizes the need to be loved by the men in his life and, in the surprising conclusion, escapes his childhood forever with one unforgettable act.

?With A Boy?s Own Story, American literature is larger by one classic novel,? wrote The Washington Post Book World. ?No reader, straight or gay . . . can fail to experience shock after shock of recognition in these pages, and few, I would bet, will be able to withhold a one-to-one sympathy from the unnamed narrator, even when he is being, by the standards of only yesterday, ?shocking.??

From the Back Cover
“The subject of this book might be that brief eloquence between the fantasies of a dream-bound child and his implementing those through charm, sexuality, his wits. . . . This work of principled sweep and great observational power also champions the centrality of Art as a governing quest. It offers this view with a faith that must recall Proust’s life project, his attempt to hold all of time, its characters at synchronous ages, all its warring textures, in one head, one work.” —from the Introduction by Allan Gurganus

Most helpful customer reviews

51 of 57 people found the following review helpful.
Beautifully told literary classic.
By Anon
This story is a very beautifully told literary classic. The intimate proximatey of such a well developed character is truly amazing. White tells a wonderful sotry of a gay boy growing up in the 50's--though he never truly accepts it; not until the second book of the series, anyhow.
Warnings: Many people reviewed this book negatively and I wish to use this space to share who will NOT enjoy this book. First of all, you must enjoy the "literary" style of writing; if you don't enjoy classics and works by the likes of John Irving than this is not for you. A fine example is to compare it to J.D. Salenger's "Catcher in the Rye"--if you read this in your schooling years and hated it, you'll probably hate this also. If you like a solid and clear course of plot you may not enjoy it; this book is written much like life is lived, and that is with a degree of chaos. Also, if you are homophonic, this book is obviously not for you unless you are attempting to open your mind. Finally, if you are the type of person who is offended by the unappologetic beliefs of the 50's that homosexuality is an illness, etc., then you may not want to read this; this was an issue with me, but I came to understand that this would be the thought process of someone in the narrators posision at his age and time.
I loved this book, and hope that other readers will expierience the same amazement as I did.

28 of 31 people found the following review helpful.
An enduring masterwork
By Grady Harp
Edmund White is one of America's finest writers. From his early forays into a then edgey genre of stories that happen to include in depth studies of gay men and their questionable place in the public fabric to his current biographies of famous writers (Proust, et al) to his assessment in literary form of the AIDS crisis and it effect on life in all of America, White has become ever more erudite, polished in technique, and fascinating to explore. Because of this current prominence among gifted writers it is rewarding to return to the early works and see if they contained all the seeds of his success. Having just re-read "A Boy's Own Story" I am even more deeply moved and impressed with White than I remembered. This treasureable book is not just a Pink Triangle groupie read. This is wondrously beautiful writing by all standards. White knows how to make the English linguage sing with acute observations that begin with a keen delineation of line but then blossom fully into metaphors than can only be called poems. These descriptions apply not only to walks in nature or observed qualities of light at varying times of day, but they are used to define his characters in such a vivid manner that they literally step off the page, indelibly.
And the story.....this tale of the grappling of a youth over questions not only of sexuality but of coming of age in social, religious, educational, dream vs reality strikes chords in all of us. His unnamed narrator is in a way the Everyman of Youth. White does not go for the happy Hollywood ending: he writes about the truths of decisions gone awry, dreams dismemebered, realites coming into being. I would hope that "A Boy's Own Story" would be part of the required reading list for the liberal arts schools who care about not only quality of literature but also of complexity of becoming an adult.

11 of 11 people found the following review helpful.
In the beginning....
By B. Morse
Edmund White's brand of prose is top-shelf. From page one of this novel, his first loosely autobiographical piece about growing up gay, I was bewitched, bothered, and bewildered by him once again.
I have now read his first-person narrative trilogy in full, though out of sequence, and each book is captivating. While this, his early adolescence, is not as sexually charged as the others, it is still replete with the same auto-erotica that emanates from his fertile imagination in the subsequent pieces of the work as a whole.
The protagonist, still unnamed, draws readers into his world of summers at the lake with his well-off family; his first tentative sexual liaisons; his forays into the world of heterosexual 'normalcy', his escape from parochial school to the comforts of an all-boys private academy, and his reluctant quest to discover his homosexual self. Through the pages of this novel, the boy takes diffident steps out of the closet, even in the 1950's, when such actions were decidedly more taboo than in present day, yet White's experience can be understood by all who have come out, whether it were 1955, 1985, or 2002.
White takes his narrator, and the reader, through the highs and lows of self doubt and self awareness; through numerous quests for love and acceptance; through the dangers and disappointments of trying to conceal your true nature from the world and yourself, and finally through the daunting labors of disclosure of his homosexual tendencies to others. In the finale, the protagonist arrives, albeit in a disturbing way, at childhood's end, and forges ahead toward adulthood.
Ever present are White's frank, revealing takes on being gay. No matter what your age; no matter what the year, White's voice speaks to all. His trilogy of growing up gay in the 50's and 60's and being gay in the 70's, 80's, and beyond is among the finest examples of gay literature I have ever read.

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  • Binding: Paperback

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Rabu, 06 April 2011

[R862.Ebook] Download PDF Handbook For Arabic Language Teaching Professionals In The 21st Century, by Liz England (Editor), Zeinab Taha (Editor) Kassem M. Wahba (Ed

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Handbook For Arabic Language Teaching Professionals In The 21st Century, by Liz England (Editor), Zeinab Taha (Editor) Kassem M. Wahba (Ed

  • Published on: 2006-06-06
  • Binding: Paperback

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Sabtu, 02 April 2011

[S489.Ebook] Download PDF Anatomy and Physiology Case Studies Workbook, by Duong Hon-Vu Q

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Anatomy and Physiology Case Studies Workbook, by Duong Hon-Vu Q

  • Sales Rank: #5178092 in Books
  • Published on: 2010-12-20
  • Original language: English
  • Binding: Spiral-bound
  • 64 pages

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Jumat, 01 April 2011

[K984.Ebook] Ebook Download Magritte, by Marcel Paquet

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Magritte, by Marcel Paquet

The great Belgian Surrealist: Magritte's paintings give a sense of the amazing, the surprising, and the ridiculous � It is impossible to overlook the influence of Ren� Magritte (1898-1967) on contemporary art. His surrealistic painting turns the usual order of things ironically on its head, thus restoring mystery to a world that has lost its magic.

His work typically conveys a sense of the amazing, the surprising, and the ridiculous—but also the unsettling. Without a specific message, Magritte’s paintings nonetheless speak to us, creating a connection between opposites on an associative level. Thus a dinner roll can, with complete naturalness, fly past a barred dungeon opening.

In discussing his art, Magritte spoke of "inspired thoughts": he was indeed a painter-philosopher who thought in pictorial form and moved with seemingly playful lightness in the exalted atmosphere of his own imagination. � About the Series:
Each book in TASCHEN’s Basic Art series features:

  • a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
  • a concise biography
  • approximately 100 illustrations with explanatory captions

  • Sales Rank: #864219 in Books
  • Published on: 2012-06-14
  • Original language: English
  • Number of items: 1
  • Dimensions: .70" h x 9.74" w x 12.04" l, 2.03 pounds
  • Binding: Hardcover
  • 96 pages

About the Author
Marcel Paquet was born in 1947 in Jumet, Belgium. In 1978 he obtained his doctorate from the Free University of Brussels with a thesis entitled La Diff�rence des Pense�s de Kant et de Hegel dans la question de l'essence de l'art. Dividing his time between Brussels and Paris, he has published a number of books on such subjects as Paul Delvaux, Fernando Botero, and Hans Bellmer.

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4 of 5 people found the following review helpful.
NOT in French
By I Know What You Should Read
The top-rated review for this book warns that the book's text is in French. My copy is an English-text copy. Not sure why they are not consistent. This is a good coffee table book with lots of fun Magritte art (many of his lesser-known works, which is nice).

1 of 1 people found the following review helpful.
Pleased buyer
By L. Li
Great pictures and well-written explanations; everything is in English in case you are wondering. I got it for my girlfriend, who is a big Magritte fan; she loved it!

0 of 0 people found the following review helpful.
A good buy.
By Terry Teays
This is a decent "art book" that has Magritte's paintings. It is not super large and glossy, like some, but pretty decent, There is a small amount of text that describes the painting, but not a lot, which is just what I wanted. It is very reasonably priced for what it is.

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