Senin, 18 Juni 2012

[B812.Ebook] Free PDF Testing Statistical Hypotheses of Equivalence and Noninferiority, Second Edition, by Stefan Wellek

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Testing Statistical Hypotheses of Equivalence and Noninferiority, Second Edition, by Stefan Wellek

While continuing to focus on methods of testing for two-sided equivalence, Testing Statistical Hypotheses of Equivalence and Noninferiority, Second Edition gives much more attention to noninferiority testing. It covers a spectrum of equivalence testing problems of both types, ranging from a one-sample problem with normally distributed observations of fixed known variance to problems involving several dependent or independent samples and multivariate data. Along with expanding the material on noninferiority problems, this edition includes new chapters on equivalence tests for multivariate data and tests for relevant differences between treatments. A majority of the computer programs offered online are now available not only in SAS or Fortran but also as R scripts or as shared objects that can be called within the R system.

This book provides readers with a rich repertoire of efficient solutions to specific equivalence and noninferiority testing problems frequently encountered in the analysis of real data sets. It first presents general approaches to problems of testing for noninferiority and two-sided equivalence. Each subsequent chapter then focuses on a specific procedure and its practical implementation. The last chapter describes basic theoretical results about tests for relevant differences as well as solutions for some specific settings often arising in practice. Drawing from real-life medical research, the author uses numerous examples throughout to illustrate the methods.

  • Sales Rank: #2272161 in Books
  • Published on: 2010-06-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.00" h x 6.20" w x 9.30" l, 1.67 pounds
  • Binding: Hardcover
  • 431 pages

Review

"… the book is clearly written, easy to read and comprehend the various issues related to testing statistical hypotheses of equivalence and non-inferiority. … I strongly feel that one who wants to acquire/use related theoretical as well as application skills or understand/review any research article on equivalence and non-inferiority testing, he/she should try to go through this book."
―Sada Nand Dwivedi, ISCB Newsletter, June 2013

"This book provides value to applied statisticians far above its stated primary objective. Perhaps the most valuable contribution this book makes to the field of applied statistics is its impressive collection of equivalence testing procedures. … Of all the additions in the current edition, testing for relevant differences stands out as a rational and widely applicable methodology that is underutilized by most applied statisticians. The author provides a very convincing argument for why this methodology is more appropriate than testing for statistically significant differences in the majority of scientific applications. … the book is well written … very important book in the field of statistical hypothesis testing."
―David Burt, Pharmaceutical Statistics, 2013

"This book will clearly be an extremely valuable practical guide for researchers faced with such problems, and would also provide a good introduction to anyone new to the special challenges of equivalence and noninferiority testing."
―David J. Hand, International Statistical Review, 2012

"This book provides a comprehensive and up-to-date overview of the topic and hence, I strongly believe, would be a valuable reference work for a library, and for both applied statisticians who need to deal with equivalence problems and researchers in statistics. Although this is not an introductory textbook, a lot of the material could be used in introductory inference courses. Senior and graduate statistical students would also benefit from exposure to the topic of the book."
―Australian & New Zealand Journal of Statistics, 53(1), 2011

"The author made a thorough revision by adding new chapters on equivalence tests for multivariate data. … The strength of the book is that it includes numerous worked-out examples to illustrate the suggested methodologies."
―Technometrics, February 2011

"The update is timely and includes some material on new subjects as well as updates of material presented in the original edition. … this book deserves a place on the bookshelf of the library of every pharmaceutical company. … this book remains the standard for texts on equivalence studies. The addition of information on non-inferiority analyses is welcome. A copy of this book should be available to every statistician who works on clinical trials."
―Brian Wiens, Alcon Laboratories, Inc., Journal of Biopharmaceutical Statistics, Issue 3, 2011

Praise for the First Edition:
One of the "Top Five Books for Statisticians" by the JASA/TAS Review Editor
―Amstat News, The Membership Magazine of the American Statistical Association, September 2003

"The main value of the book is in its rather comprehensive and explicit treatment of various tests for equivalence problems. The book is very carefully written and mathematically correct … applied (bio-)statisticians may find this book a helpful manual for various testing procedures in the field of equivalence testing. These procedures are very carefully described and are accompanied by SAS of Fortran code. More mathematically oriented readers may regard this book as a good source of examples, and the thorough discussion of relevant practical questions in the field might stimulate them to doing further research in this area."
―Journal of the American Statistical Association, March 2004

"The book is well organized for the applied statistician with an interest in the theoretical background for statistical procedures. What is especially useful about this book for the applied statistician is that the author weaves into the presentation of the equivalence tests, discussions of power, and sample size as well as simulation results that evaluate the small sample properties of the tests. In addition, a location on the World Wide Web where one can find SAS programs to facilitate the implementation of these tests is provided … Wellek has provided a text on equivalence testing that the applied statistician will find useful both as a theory underlying equivalence testing as well as a source of equivalence tests and tools for their implementation for a wide variety of situations."
―Journal of Biopharmaceutical Statistics

"… a thorough and wide-ranging exposition of statistical methods for the testing of hypotheses of equivalence … The content of the book and the presentation of the material are praiseworthy for several reasons. Throughout the book, the focus is on optimal tests … . Where exact methods are not available, asymptotically equivalent tests are presented. The small sample behaviour, both size and power, of asymptotic tests is thoroughly studied through simulation. This must have been an enormous amount of work, but the effort certainly was not in vain; one is convinced that one can apply the methods presented with confidence. Even more deserving of praise is the fact that computer programs (mostly in SAS language) implementing various tests and power calculations are provided … In summary, this is an excellent book and strongly recommended. It is required reading for all biostatisticians and developers of statistical software who work in this arena. It will be useful when teaching statistical test theory and in practice. …"
―Robert Schall, Clinical Trials, 2004

"… this book provides the reader with the opportunity to do equivalence testing for various statistical problems. The author has helpfully provided a collection of computer programs (in SAS and Fortran) that allow for easy implementation of the methods presented … I was left feeling that this book provides a good grounding in statistical techniques to do hypothesis testing in equivalence trials."
―Pharmaceutical Statistics, 2003

"Wellek has done a commendable service to the academic community by providing the first comprehensive treatment of testing hypotheses of equivalence, since most of the work in this area so far is confined to research journals. … Overall, this excellent book has great potential for applications and should interest students and researchers alike. Summing Up: Highly recommended."
―D.V. Chopra, CHOICE

"… this book has explained well with examples and case studies the topics … Researchers will find this book thought-provoking."
―Journal of Statistical Computation & Simulation

About the Author

Stefan Wellek is a professor of biostatistics at the University of Heidelberg and head of the Department of Biostatistics at the Central Institute of Mental Health in Mannheim, Germany.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very helpful book in solving the statistical dilemma of how to prove two test samples are equivalent!
By Abraham Cohn
For a statistical mathematical book it was much easier to read than I thought. The introduction even has a flowchart to map out how you should read the book depending on your purpose - this was very helpful especially if you want to know the concepts about equivalency testing without all the mathematical theory. The theory is there as well, and I did find some of it useful.

We were struggling for a long time about how to prove things are the same, since you cannot 'accept the null hypothesis'

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Jumat, 15 Juni 2012

[M114.Ebook] Free Ebook Hokusai Manga (English and Japanese Edition)From P I E Books

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Hokusai Manga (English and Japanese Edition)From P I E Books

The legendary masterpieces of Hokusai-fifteen volumes in a single chunky book. Hokusai Manga is one of the masterpieces by Katsushika Hokusai (1760-1849), a master of Ukiyo-e art, depicting ordinary people s lives, animals, plants, landscapes and human figures, historical and supernatural, even demons and monsters, as if it were a visual encyclopedia, amounting to fifteen volumes. Hokusai Manga turned out to be very popular among every class of people, from feudal lords to the general public, and became a long time best-seller in the Edo period. This book selects pieces from each volume and compiles them into one charming book.
The original masterpiece spread throughout Japan and flowed into Europe in the middle of the nineteenth century, where it had a striking impact on artists, including Impressionists Manet, Monet, Degas, and others. The artistic movement Japonisme began in part due to its influence.

  • Sales Rank: #775721 in Books
  • Published on: 2011-10-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.99" h x 2.28" w x 8.35" l, 4.29 pounds
  • Binding: Paperback
  • 696 pages

About the Author
Katsushika Hokusai (1760-1849) was a Japanese artist and ukiyo-e painter of the Edo period, and best-known as the author of the woodblock print series "Thirty-six Views of Mount Fuji".
Kazuya Takaoka was born in Kyoto in 1945. As a graphic designer, he has received many outstanding awards, including the Gold Medal at the Japan Graphic Design Exhibition and the Gourmond World Cookbook Award for Best Cookbook Design. Among his works include Noh: Classical Japanese Performing Art published by PIE BOOKS.

Most helpful customer reviews

32 of 32 people found the following review helpful.
Ambitious but disappointing edition of important work
By Rich
When I first heard this edition of Hokusai's Manga was coming out, I was thrilled. There have been several attempts to print hilights of this massive ukiyo-e work, with varying degrees of success. After the French book published in 2007, I was really hoping that level of quality would be brought to this much larger collection of panels. Sadly, the truism that 'Less is more' still stands; at least in regards to this edition.

I hadn't taken note of the size indicated for the book before I saw it, so I was already wary seeing how much larger it was than the original Manga. On opening it to one of the true reproduction spreads (more on that in a moment), I saw the plates were in fact reproduced actual size. The remaining space was taken up by a massive margin of perhaps three inches, and a garish, heavy, double red outline around the art itself. The images themselves were decent, with good solidity to the keyblock blacks and fairly smooth capturing of the gray and peach plates. Not quite the quality of the French collection, which even captured the paper tone, but decent, and maybe a bit better than the massive, complete 900 page edition printed in Japan. But why the large size?

I started flipping through the book, and realized it wasn't simply a straightforward reproduction of the original pages. Perhaps half of the edition is made up of massive enlargements of panels in glaring red ink, and even individual characters blown up even larger. Not sure what the designer's intent was here, but I think it does a disservice to the original work. If there were already an affordable, large collection of the Manga available, I might understand more. Here and there, blowing up the characters helps bring emphasis to the varying thickness of line Hokusai and the carvers used. But to fill up so many pages this way is a distraction.

So for Hokusai fans hoping for 690 pages of faithful reproductions, you will be disappointed. I would recommend the Japanese edition from Shogakukan, which I bought for around $145. It has the entire contents of all 15 Manga volumes, fairly well printed. The blacks could be better in spots and the grays and peaches can get splotchy but I don't know how much of that is due to the publisher and how much involves the state of the original wookblock editions they had access to. Because each volume was originally printed by hand, the quality of the prints are dependent on how well the individuals burnished the paper onto the inked blocks (they used a pad called a baren, which was moved in swirls over the back of the sheets).

There is also Michener's "Hokusai Sketchbooks" from 1958. Here, to solve the cost issue of trying to replicate the original three colors using a modern four-color press, the art was shot high-contrast to separate out the blacks. The gray and peach inks were then replicated as mixed inks. The effect is a bit different from the original books, but still decent. The paperback editions by Unsodo of Japan aren't very good, but they do start out with 16 accurately printed spreads, on glossy paper. It then devolves into high-contrast reproductions of the pages with no supporting tone at all. Many of the original spreads are printed small, with four on one page. The French edition is still the best, though sadly short.

Currently the best way I know of to view the Manga in a way similar to how someone would have seen it in the early Nineteenth Century actually involves modern technology. Visipix.com has a large collection of digital images from various Hokusai works, including the complete manga. No worries of replicating inks here. So if, like me, you want this great work in print, aside from investing the money into the original woodblock editions (or later reproductions from recut blocks), looks like we'll have to wait a bit longer for a publisher to try again.

6 of 7 people found the following review helpful.
Great, but could have been better
By koinz99
This is a nice book, with great paper and even a nice little obi to go along with it. More could have been used for the size of the book, though. This book includes b & w originals and enlarged red images. The black and white illustrations are in original size, making them sit awkwardly in the middle of the page. This is a fundamental bad design though- often, the images, being in the middle, are put in the gutter. The gutter is the part where the book is binded, so the middle of the images are cut off. It's like putting an important image in a magazine right in the middle, between the two pages- it gets cut off and distorted. Not good. A lot of Hokusai's animals- my favorites like the lion in the snow, were put in the gutter, and thus cut off. It doesn't make sense, though- with the size of this book, many of the images cut off in the gutter could have just been put on one side of a page. They don't have to be put in the middle with so much room...
The best thing about this book is very minimal writing. As one studying to be a tattoo artist in the future, all of the refernce material is nicely uninterrupted by text. However, this will be a book where the reference is hard to find, as this book is unpaginated entirely. Also, images are organized my which of the 15 manga they belong to. With unpaginated pages, they should have just put everything in order by subject. The animals I'll use for reference are all over the place!
This book is over 600 pages, but it's really only about 400 in terms of material. This is why the book mainly gets three stars. I was hoping for over 600 pages in materials- this would amount to atleast 2/3 of the total manga. There was a 623 page version printed in Japan (not talking about the huge 900 page versions), and I was hoping this would be just like it. I was wrong. The red images are really nice, but they're just reproductions of other existing images in the book. They're like previews before the b & w images. This is one of my gripes as soon as I opened the book- pages where only one or two red images were reproduced could have been used for more material. It was kind of a waste. I'd recommend putting the big red reproductions as the main images in the book( since the originals are quite small), and using the remaining space for more Hokusai manga. You're not really getting a 623 page book. I'd recommend the Carlo edition (with the Wave of Kanagawa as the cover), which is 520 pages, and the black and white illustrations are much bigger than original size- that book is huge, but atleast the images are big enough to match it!
A great book that is a wonder to look through and will greatly help my tattoo ideas, but so much potential is wasted. I was really looking towards what seemed like the biggest English language edition of the mangas- without paying over $100 for an imported Japanese version- but looks like I'll be waiting.

4 of 5 people found the following review helpful.
Showing the real and the grotesque ...
By Featherwood Kid, Gordon
When I was traveling in Japan, I saw this almost 400 page book and would have purchased it except that there was no room left in the suitcases. As it turned out, it was a good decision since Amazon offers it for almost half the price I would have paid in Japan. It is interesting art with the stress being on people, though there are numerous illustrations of insects, fish, animals, and landscape. Most of the people shown are as being normal, though many are in contorted positions. Some art shows grotesque figures, as for example, legs as long as five foot stilts! The edition offered by Amazon also includes a translation into English to give more depth to the thousands of artistic renderings. The best reproductions in my estimation are those which are in black and white, with flesh tones. There are also a large number of pages that show the drawings in red ink with most being less clear than the black/white art work. I understand that the illustrations here are from the fifteen original books produced in Japan in the 19th century - not every illustration, but surely enough, thousands of them, to educate and intrigue most artists and collectors. To purchase copies of the 15 original books would cost a small fortune. I know - I saw used facsimile copies of some volumes for sale at a museum store in Osaka. The volume offered by Amazon is a well-made paperback - I don't believe a hard cover edition is available - but even as it is the book weighs over four pounds, and measures 8" x 12" x 2" thick! The non-glare paper seems to have been selected especially for these drawings. It is a great value for those interested in Hokusai, or Japanese woodblock art, or for the younger generation, Japanese Manga. GJV

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Selasa, 12 Juni 2012

[L189.Ebook] PDF Download Aircraft Instruments, 2nd ed., by E H J Pallett

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Aircraft Instruments, 2nd ed., by E H J Pallett

  • Published on: 2009
  • Binding: Paperback

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Sabtu, 09 Juni 2012

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Waiting For Leila: Ravan Writers Series, by Achmat Dangor

  • Sales Rank: #10802418 in Books
  • Published on: 1994-06-01
  • Original language: English
  • Dimensions: 7.25" h x 4.50" w x .50" l,
  • Binding: Paperback
  • 140 pages

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Kamis, 07 Juni 2012

[O262.Ebook] Download Alfred's Basic Piano Library: Piano Recital Book Level 1B, by Willard Palmer, Morton Manus, Amanda Vick Lethco

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Alfred's Basic Piano Library: Piano Recital Book Level 1B, by Willard Palmer, Morton Manus, Amanda Vick Lethco

Alfred's Basic Piano Library: Piano Recital Book Level 1B, by Willard Palmer, Morton Manus, Amanda Vick Lethco



Alfred's Basic Piano Library: Piano Recital Book Level 1B, by Willard Palmer, Morton Manus, Amanda Vick Lethco

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Alfred's Basic Piano Library: Piano Recital Book Level 1B, by Willard Palmer, Morton Manus, Amanda Vick Lethco

The Recital Books congratulate students for a job well done by providing correlated repertoire to their Lesson Books that are based on concepts they've already learned. As a result, the pieces are quickly mastered. Included in Recital 1B are the folk tunes ""Camptown Races"" and ""For He's A Jolly Good Fellow,"" and imaginative originals like ""The Elephant and the Flea"" and ""March of the Extra-Terrestrials.

  • Sales Rank: #20352 in Books
  • Brand: Alfred
  • Model: 00-2113
  • Published on: 1981-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 8.75" w x .25" l, .25 pounds
  • Binding: Paperback
  • 32 pages
Features
  • Alfred's Basic Piano Course Recital Book 1B
  • The Recital Books congratulate students for a job well done by providing correlated repertoire to their Lesson Books that are based on concepts they've already learned
  • As a result, the pieces are quickly mastered
  • Included in Recital 1B are the folk tunes "Camptown Races" and "For He's A Jolly Good Fellow," and imaginative originals like "The Elephant and the Flea" and "March of the Extra-Terrestrials
  • " The Recital Books congratulate students for a job well done by providing correlated repertoire to their Lesson Books that are based on concepts they've already learned

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18 of 18 people found the following review helpful.
Alfred Method is great for beginner students . . . and teachers!
By J. R. Iverson
I would call myself a beginner piano teacher, as I play the piano myself but have had no instruction as to how to teach others to play. I now have four beginner students, whom I have been teaching for a little over a year.

I love the Alfred method. The four books: technic, lesson, solo/recital, and theory all seem to really work well together. The songs coordinate with each other, so for each new concept taught in the lesson books, the student has a warm-up, a solo piece, and some theory work to back it up. I find this to be very effective. It gives the students a chance to see several examples of each concept, and practice each new concept in different ways until they achieve perfection with it. It also really walks the teacher through each concept very clearly, giving definitions for musical terms and clear instructions for which songs go together. I feel like the order in which concepts are taught also makes a lot of sense.

Overall, it's a good method for a teacher who doesn't know a whole lot about HOW to teach another person to play the piano!

I currently have some of my students on this level, and others on the regular beginner levels. I love how all of the different levels are interchangeable, so gifted students can advance more quickly, and students who need a little extra reinforcement can stay on the lower levels. The map for how this all works is on the back of all of the books, which you can see on the book preview. So many great things about Alfred!

0 of 0 people found the following review helpful.
I love their products and having them translated would make my ...
By Kimberly Chapman
I'm SO excited that this book is finally available in Spanish. My family works in a music school in Mexico but most of our materials are in English. I hope Alfred plans to amplify the Spanish materials line. I love their products and having them translated would make my work easier and give our students a more professional-looking product.

0 of 0 people found the following review helpful.
THANKS FOR A GREAT PRODUCT AND THE SERVICE WAS EXCELLENT QUICK AND ACCURATE ...
By Greg G. Smith
THANKS FOR A GREAT PRODUCT AND THE SERVICE WAS EXCELLENT QUICK AND ACCURATE DESCRIPTION HELPED ME GET WHAT I WANTED AND FUN

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Minggu, 03 Juni 2012

[L376.Ebook] Ebook A Freewheelin' Time: A Memoir of Greenwich Village in the Sixties, by Suze Rotolo

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A Freewheelin' Time: A Memoir of Greenwich Village in the Sixties, by Suze Rotolo

“The girl with Bob Dylan on the cover of Freewheelin’ broke a forty-five-year silence with this affectionate and dignified recalling of a relationship doomed by Dylan’s growing fame.” –UNCUT magazine

Suze Rotolo chronicles her coming of age in Greenwich Village during the 1960s and the early days of the folk music explosion, when Bob Dylan was finding his voice and she was his muse.

A shy girl from Queens, Suze was the daughter of Italian working-class Communists, growing up at the dawn of the Cold War. It was the age of McCarthy and Suze was an outsider in her neighborhood and at school. She found solace in poetry, art, and music—and in Greenwich Village, where she encountered like-minded and politically active friends. One hot July day in 1961, Suze met Bob Dylan, then a rising musician, at a concert at Riverside Church. She was seventeen, he was twenty; they were both vibrant, curious, and inseparable. During the years they were together, Dylan transformed from an obscure folk singer into an uneasy spokesperson for a generation.

A Freewheelin’ Time is a hopeful, intimate memoir of a vital movement at its most creative. It captures the excitement of youth, the heartbreak of young love, and the struggles for a brighter future in a time when everything seemed possible.

  • Sales Rank: #45190 in Books
  • Brand: Brand: Broadway Books
  • Published on: 2009-05-12
  • Released on: 2009-05-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .85" w x 5.16" l, .65 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
In July 1961, Rotolo, a shy 17-year-old from Queens, met an up-and-coming young folk singer named Bob Dylan at an all-day folk festival at Riverside Church in Manhattan, and her life changed forever. For the next few years, Suze and Bobby lived a freewheeling life amid the bohemians in the emerging folk scene in Greenwich Village. Rotolo offers brief glimpses of the denizens populating the new music scene below 14th Street in the early '60s and recalls the excitement as writers and musicians like Dylan wandered in and out of each other's lives and apartments, trading music and lyrics to produce a new sound that would change American music. Yet as the woman who's clutching Dylan's arm on the cover of his second album Freewheelin' Bob Dylan, Rotolo doesn't give us a very freewheelin' memoir. She offers shallow, almost schoolgirl-like reflections on the man she loved and lived with for three years. In a dull and plodding manner, Rotolo provides no new insights into Dylan, claiming, as have so many, that he is mysterious and enigmatic. In an excerpt from one of her journals, she writes ambivalently that she believes in his genius and that he is an extraordinary writer, but that she doesn't think he's an honorable person. (May)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
One of the most recognizable album-cover images of the 1960s shows a young man, underdressed for the winter in a light suede jacket, leaning into a young woman. Rotolo was that young woman, and in this uneven, overlong, still fascinating memoir, she tells the story behind that photo and her love for Bob Dylan. Rotolo met Dylan in 1961; she was 17, he 20. While Dylan is the bedrock of her memoir—without him, would there be a book?—he isn’t the whole story. Rotolo discusses her own background (Italian heritage, Communist parents, inability to fit in growing up in Queens, the craziness and sexism of the era), but the dominant setting is the Greenwich Village folk scene. In informal, conversational style, Rotolo recalls those who made that scene, many of them famous but none more so than the complicated Dylan. Given his formidable presence, Rotolo’s adamant refusal to be more than “a string on his guitar” in the book is admirable. The moments when she comes most alive in its pages are the most compelling. --June Sawyers

Review
"A delightful surprise . . . [Rotolo] gracefully captures Greenwich Village as an enchanted lost world." —Entertainment Weekly

"A portrait-of-an-era . . . through [Rotolo's] eyes, we see Dylan as a unique artist on his way to greatness." —People

"Artist Suze Rotolo pays rollicking homage to a revolutionary age." —Vogue

"Exhilarating . . . a moving account." —New York Times

"A perceptive, entertaining, and often touching book about a remarkable era in recent American cultural history, about a way of living, of making art, that couldn't have happened at any other time or in any other place." —Stephanie Zacharek, Salon

"Telling her own story more than Dylan's, Rotolo writes with the lightest touch . . . She makes her own textures, so what is left out doesn't feel as if it's missing, and what is left in maps the territory she wants to bring into view." —Griel Marcus, Interview

"Poignant . . . full of quick, deft sketches of key characters." —Guardian

“What a wonderful kid [Suze Rotolo] must have�been—brave, openhearted, keenly observant and preternaturally wise, able to rise to the challenge of loving a genius like�Bob Dylan and knowing when to let go. I'm glad�I finally got to meet her in these pages.” —Joyce Johnson, author of Minor Characters

“Suze Rotolo digs hard and deep. Then she strolls, frets, and paints a gorgeous picture of a singular place and a time that was simpler but all tangled up. Best of all, she’s a natural writer who puts the beguiling voice, skeptical brow, shining eyes, and conductor’s hands I know right before you on the printed page. What’s her secret?” —Sean Wilentz

"A welcome, page-turning perspective conspicuously absent from the�plethora of books on Dylan and the folk era of the 1960s: that of�a woman witnessing it all from its cultural and political epicenter." —Todd Haynes, screenwriter and director of I’m Not There

“There have been a lot of books written about Greenwich Village in the sixties,and I've probably read�all of them. What makes Suze's story so special is that she grew up in this neighborhood and she still lives here. She knows these crooked streets intimately, and they know her.” —Steve Earle

Most helpful customer reviews

2 of 2 people found the following review helpful.
i deeply connected with this story
By Jaw
i loved this book, getting to know the person in the songs and the relationship, i really liked Suze in reading this book, would've loved to know her, grateful for her sharing of her experience, she was a couple of years dead when i read it, i'm glad she wrote the story while she was still here.

Unlike some reviewers, for me, the book was a page turner and did not last long enough, even though i read it slowly and closely. The story is told with genuineness, as the person she is, not who other people want her to be. She's someone who knows how to be true to herself.

One of the most heart wrenching parts of the book for me was when she was about 14, her sister, Carla, moved out on her own, and Suze was left alone with their mother, who was an over the top alcoholic and rage-aholic. During that period, Suze endured brutal emotional abuse, the target of wild loud hate-filled rants from which she had no escape, as her tortured depressed mother blamed Suze for her unhappiness. Suze had some support from outside the home, family friends who knew what she was going through and let her come and stay with them for respite sometimes.

Like all people, her mother was a mixture and Suze took the best and tried to shut out the worst. Maybe this had something to do with her increasingly difficult reaction to the raucous and chaotic atmosphere involved in being Dylan's girl. She was his first love, and he was hers, their relationship lasted most of 4 years, which is a long time for any first relationship, much less one that had so little privacy, and so many amazing challenges to cope with.

Suze grew up lonely and often alone as a kid, she knew and adapted to solitude. She drew on her strengths to entertain and educate herself and to develop her creativity and to evolve her morals and values.

It was one of those stories where, even though i know how it's going to turn out, i couldn't help wishing for a different ending, for true first love to triumph and all romantic dreams to come true. The story gives context to Suze's rejection of the relationship with Dylan and moving on to do many other things with her life, in which she surrounded herself with a loving family of her own and continued to develop and exercise her own special talents. It's no wonder Dylan, and then her husband to be, fell in love with her. She has a simple and honest charisma.

She gives her experience of the Village at that intense exciting time in history. i had a feeling of her disconnectedness throughout, of an objective observer, keeping a self-protective distance. Clearly, she maintained a limit on the depth of feeling she shared for the most part, she shared what she was comfortable sharing, she shared the person that she shares with the world, drawing the boundaries she chooses to draw. It's a memoir, it's not an expose or tell-all kind of style.

0 of 0 people found the following review helpful.
Not just Dylan or the Village
By NYCity/Country
I learned of this memoir after Dylan received the Nobel Prize for poetry and was interested both because of him, but also because I spent a fair amount of time in the Village during the same era, being just a few years younger than Rotolo and Dylan. It wasn't what I expected (which was an opportunity to indulge in nostalgia). In many ways it is more important as it recollected the McCarthy Era, pre-feminist strictures, the evolution of folk music and the price of fame, both to the artist and those close to him/her. Rotolo, very much a deeply curious autodidact who did not do well in traditional educational settings, writes well and seemingly knowledgeably (one error I particularly noticed is that she referred to Theodore Reich as a psychologist rather than a psychiatrist and psychoanalyst). My major criticism of the book is that it didn't carry me along. My personal interest in the people and times kept me at it but there were times it felt a bit of a slog. Nonetheless, if you stick with it, I think you'll find it worthwhile if you have a general interest in Dylan, the early 60s in Greenwich Village.

1 of 1 people found the following review helpful.
A memorable memoir
By Russell J. Sanders
Of the many books about the sixties era I’ve read, Suze Rotolo’s memoir A Freewheelin’ Time is one of the best. For this is a woman who lived the spirit of the 1960s. As girlfriend to Bob Dylan, she was right in the middle of the Greenwich Village folkie movement. Her memoir is filled with stories that offer insight into how these people thought and felt while it is a wealth of modern history. Most importantly, Rotolo takes us inside a young man from Michigan who shook off his middle class beginnings to become the foremost poet of his time, perhaps the foremost poet of the twentieth century. Not only do we hear of their growing love for each other and its eventual demise, but we see the astonishment of a young woman who, by chance, became the cover of one of the most iconic record albums of all time, Dylan’s The Freewheelin’ Bob Dylan. At a time when album covers were skillfully and carefully designed, the photographer who did this famous shot just said, “Let’s go for a walk,” and on the walk, history was made. And Suze Rotolo is a part of that history and so much more of the history she relates in this engrossing book. She puts everything in perspective at the end: the sixties was a time when people were striving to make the world better by helping each other and sharing with each other; today, she says, people only ask, “What’s in it for me?”

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Jumat, 01 Juni 2012

[O536.Ebook] Free Ebook Exam Ref 70-533: Implementing Microsoft Azure Infrastructure Solutions

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Exam Ref 70-533: Implementing Microsoft Azure Infrastructure Solutions

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Exam Ref 70-533: Implementing Microsoft Azure Infrastructure Solutions

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Exam Ref 70-533: Implementing Microsoft Azure Infrastructure Solutions PDF

Exam Ref 70-533: Implementing Microsoft Azure Infrastructure Solutions PDF

Exam Ref 70-533: Implementing Microsoft Azure Infrastructure Solutions PDF
Exam Ref 70-533: Implementing Microsoft Azure Infrastructure Solutions PDF