Kamis, 17 Mei 2012

[Z182.Ebook] Free PDF Returning to Reims (Semiotext(e) / Foreign Agents), by Didier Eribon

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Returning to Reims (Semiotext(e) / Foreign Agents), by Didier Eribon

On thinking the matter through, it doesn't seem exaggerated to assert that my coming out of the sexual closet, my desire to assume and assert my homosexuality, coincided within my personal trajectory with my shutting myself up inside what I might call a class closet. -- from Returning to Reims

After his father dies, Didier Eribon returns to his hometown of Reims and rediscovers the working-class world he had left behind thirty years earlier. For years, Eribon had thought of his father largely in terms of the latter's intolerable homophobia. Yet his father's death provokes new reflection on Eribon's part about how multiple processes of domination intersect in a given life and in a given culture. Eribon sets out to investigate his past, the history of his family, and the trajectory of his own life. His story weaves together a set of remarkable reflections on the class system in France, on the role of the educational system in class identity, on the way both class and sexual identities are formed, and on the recent history of French politics, including the shifting voting patterns of the working classes -- reflected by Eribon's own family, which changed its allegiance from the Communist Party to the National Front.

Returning to Reims is a remarkable book of sociological inquiry and critical theory, of interest to anyone concerned with the direction of leftist politics in the contemporary world, and to anyone who has ever experienced how sexual identity can clash with other parts of one's identity. A huge success in France since its initial publication in 2009, Returning to Reims received enthusiastic reviews in Le Monde, Lib�ration, L'Express, Les Inrockuptibles, and elsewhere.

  • Sales Rank: #597865 in Books
  • Published on: 2013-09-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .69" w x 6.00" l, .86 pounds
  • Binding: Paperback
  • 256 pages

Review

An eminent Parisian intellectual, gay and politically progressive, from a conservative, working -- class provincial family, Didier Eribon has written a book that will be of great interest to those concerned with questions of social class, sexuality, and intellectual community. Returning to Reims is a fascinating and courageous account of how one of France's leading writers has negotiated a complex, frequently conflicted confluence of social and psychic identities.

(Leo Bersani, author of Homos and coauthor of Intimacies)

This intensely personal account of Didier Eribon's family is a fascinating and compelling read...The book is beautifully written (and as beautifully translated). It is at once pleasureable and edifying to read.

(Joan W. Scott, Institute for Advanced Study)

About the Author

Didier Eribon, Professor of Sociology at the University of Amiens, is well known for his groundbreaking biography, Michel Foucault, first published in 1989. He is also the author of Insult and the Making of the Gay Self, as well as numerous other books of critical theory.

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4 of 4 people found the following review helpful.
Class vs. Sexuality
By david bergman
Didier Eribon is a distinguished French journalist and scholar, whose origins are in the working class. He argues in this book that he faced much more difficulty crossing class boundaries than he did living as a gay man. His account of the difficulties he had making his way through school is convincing and moving. Yet it is not clear whether the resistance came more from the upper classes not wanting someone from the working class or the resistance came from the gravitation pull of his working class origins. Perhaps it is impossible to say.

1 of 1 people found the following review helpful.
Terrific autobiography
By Mom with Ph.D.
There are very few true autobiographies. This is one of them. It is well-written and moving. It will make you think, if it doesn't make you cry.

0 of 0 people found the following review helpful.
Five Stars
By Robert
Just as described and fast delivery!

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Minggu, 13 Mei 2012

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  • Published on: 2005-10-18
  • Binding: Paperback

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Rabu, 09 Mei 2012

[P743.Ebook] Download PDF Beat Down to Your Soul: What Was the Beat Generation?, by Ann Charters

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Beat Down to Your Soul: What Was the Beat Generation?, by Ann Charters

In this wide-ranging anthology, Beat scholar Ann Charters brings together more than seventy-five essays, reviews, memoirs, poems, and sketches that evoke the credos and the controversies surrounding the Beat generation writers of the 1950s. Charters includes discussions of all the major Beat figures-Jack Kerouac, William Burroughs, Allen Ginsberg, Neal Cassady, Diane di Prima, Gary Snyder, and many more-from commentaries by the Beats themselves as well as by such writers as Henry Miller, William Carlos Williams, Mary McCarthy, Joyce Carol Oates, Tom Wolfe, Grace Paley, and Henry Louis Gates, Jr.. Charters also explores the humorous side of the Beat generation, its place in post-war American culture, and the contribution of the important women authors who also wrote Beat.

  • Sales Rank: #733412 in Books
  • Published on: 2001-06-01
  • Released on: 2001-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.45" w x 5.34" l,
  • Binding: Paperback
  • 744 pages

From Publishers Weekly
For a fresh take on an often simplified historical moment, look at Beat Down to Your Soul: What Was the Beat Generation? in which Ann Charters has assembled some obscure and some familiar material by and about beatniks. In a letter to poet and critic Richard Eberhart, Allen Ginsberg says, "I was flattered... by the idea of recognition but really didn't agree with your evaluation of my own poetry," and explains, for 11 pages, his aesthetic and social intentions. Henry Louis Gates Jr. explores how writer Anatole Broyard, whose essay "A Portrait of the Hipster" appeared in the Partisan Review in 1948, passed as white early in his career in New York. Diane di Prima's piece about her newsletter with LeRoi Jones, Floating Bear, evokes the excitement of the early '60s East Village poetry scene.

Copyright 2001 Cahners Business Information, Inc.

About the Author
Ann Charters has had a thirty-year involvement with Beat literature. She was the editor of The Portable Beat Reader, The Portable Jack Kerouac, and two volumes of Jack Kerouac Selected Letters. She teaches at the University of Connecticut in Storrs.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Excellent Anthology
By Dr. Rico
I've always admired Charters work concerning the Beats . It's scholarly and entertaining at the same time. Back in the sixties, if you asked an English professor why Beats weren't covered in the textbook ,you'd probably get a sideways look of disdain. If I were teaching a course on American Lit today, this would be mandatory. Some of the source material has been more or less unobtainable which makes this a true goldmine. It always seems like the Beat movement as a literary topic has been pretty much exhausted, but Ms. Charters has proven that not to be true.

1 of 2 people found the following review helpful.
beat down to your classroom
By A Customer
This anthology has some interesting material, particularly the excerpts from the "beats" themselves and the panel discussion of "beat women" at the end. But it leaves out some of the most interesting beats (Philip Whalen, Lew Welch, Kirby Doyle, Lenore Kandel, Richard Brautigan, Albert Saijo etc.) while larding the fat volume with writers who just boringly interpreted or reviewed the beats (Joyce Carol Oates, Alfred Kazin,Mary McCarthy etc.), who were irrelevant to the beats (Anatole Broyard, Jack Spicer, john Updike etc.), or who secretly disliked or openly hated the beats (Norman Podhoretz, William Carlos Williams, Diana Trilling, Kenneth Rexroth etc.) Not really much soul in that. What's the point of making academic hay out of the most anti-academic writers of the 20th century? Well of course the point is--making academic hay, in this case by an author who doesn't seem to care much for the beats herself. Like what F.Scott Fitzgerald said about his Princeton poetry professors who really hated poetry.

2 of 2 people found the following review helpful.
Realistic
By Mary K
Realistic analysis of the Beat Generation. Studing this subject for a college course and found the book helpful. Thanks for asking

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Minggu, 06 Mei 2012

[E433.Ebook] Ebook Free Complete Preludes And Waltzes For Piano Ed. CortotFrom Bmg Ricordi (Salabert)

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(Piano). Study edition with commentary in English by Alfred Cortot.

  • Sales Rank: #431093 in Books
  • Published on: 2015-06-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .52" w x 9.00" l, 1.45 pounds
  • Binding: Paperback
  • 178 pages

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0 of 3 people found the following review helpful.
Five Stars
By EChristy
The edition is clear and well spaced; the composer--sublime.

0 of 3 people found the following review helpful.
Three Stars
By Carol
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William Blake on Self and Soul, by Laura Quinney

It has been clear from the beginning that William Blake was both a political radical and a radical psychologist. In William Blake on Self and Soul, Laura Quinney uses her sensitive, surprising readings of the poet to reveal his innovative ideas about the experience of subjectivity. Blake’s central topic, Quinney shows us, is a contemporary one: the discomfiture of being a self or subject. The greater the insecurity of the “I” Blake believed, the more it tries to swell into a false but mighty “Selfhood.” And the larger the Selfhood bulks, the lonelier it grows. But why is that so? How is the illusion of “Selfhood” created? What damage does it do? How can one break its hold? These questions lead Blake to some of his most original thinking. Quinney contends that Blake’s hostility toward empiricism and Enlightenment philosophy is based on a penetrating psychological critique: Blake demonstrates that the demystifying science of empiricism deepens the self’s incoherence to itself. Though Blake formulates a therapy for the bewilderment of the self, as he goes on he perceives greater and greater obstacles to the remaking of subjectivity. By showing us this progression, Quinney shows us a Blake for our time.

  • Sales Rank: #846952 in Books
  • Brand: Brand: Harvard University Press
  • Published on: 2010-01-15
  • Released on: 2009-11-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.00" w x 6.40" l, 1.00 pounds
  • Binding: Hardcover
  • 216 pages
Features
  • Used Book in Good Condition

Review
Quinney powerfully rereads both Blake's early work and his later visionary poems as an unfolding record of the embattled psyche. This extremely important contribution to our understanding of Blake should appeal not just to Blakeans but to all who think about the psychology of transcendence. (Paul Fry, Yale University)

Much of William Blake's most extraordinary work depends on his concept of 'Selfhood.' Laura Quinney has gone beyond all previous attempts to deal with Blake's treatment of what it means to be a solitary consciousness. Quinney illuminates Blake's very original relationship to the Gnostic heresy and his astonishing vision of what might redeem our humanity without falling into received doctrines. (Harold Bloom)

Quinney's readings of Blake's works, from Thel to Jerusalem, offer much insight, particularly when she engages with the debates of Blake's time. (Shirley Dent Times Literary Supplement 2010-07-02)

About the Author
Laura Quinney is Professor of English, Brandeis University.

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3 of 6 people found the following review helpful.
Important subject marred by academese
By Bohdan Hodiak
I remember as a student reading Blake, and though I didn’t really understand him, I felt in my guts that Blake was on to something very, very important. He could see that the brave new world that was developing around him was on its way to conquer the earth while losing its soul. And we were in the same boat, discarding religion and stepping out into the abyss. That may be why interest in Blake has exploded in the past half century, among a select group of people. The number of books published on Blake since then can fill a large bookcase. Google his name and you will see the interest.
But Blake has always been a problem for those who really want to study his thinking. He lived in dangerous, intolerant times and had to write some of his long poems in a kind of code. For generations the prophetic books were looked on as incomprehensible. But then came Northrop Frye and his superb book "Fearful Symmetry" and then Foster Damon and his invaluable “A Blake Dictionary” and the gates finally opened.
Now there is Laura Quinney and her “Blake on the Soul and Self.” She could not have picked a better topic for this is the essence of Blake. He not only tried to show the sickness and self-division of modern educated man but a way out of the trap. Quinney does a fine job of explaining the chief prophetic books and her writing is clear. But she seems to aim her book at fellow academics. So you will meet such words as alterity, aleatory, aporia, apodosis. When she mentioned a “collapse of agency” it took me a moment to figure out she meant something to do with active, generative. There are more elegant ways to say “our species dwells alone in sunderance” or “the linear temporality of the natural world.” That’s just a sample. As I neared the end of a couple of the chapters I felt like a school boy impatiently waiting for the 3:00 p.m. bell to ring. Still, Quinney’s topic is important and helped me understand better such phrases as Divine Imagination and Mental Fight. If you are getting ready to read the prophetic books , or have read them, this is an excellent help.
A bit of nit picking. Quinney calls Blake an atheist. No. He is not a theist or a pantheist but he certainly believed in a higher power and was deeply spiritual. You can discard Nobodaddy and still believe in God. Quinney also says “contact with nature is detrimental to the soul.” It is in nature that I first felt my intimation of transcendence. Also, “consciousness has no place in nature.” Well, without consciousness I couldn’t experience nature. Animals have consciousness, even though they can’t say I am I. I know, these are particular definitions with their own special meanings but that could be made clearer.

In many ways Blake really saw into the depths of our souls and came close to the truth about life and its meaning. Compared to Blake people like Sigmund Freud were half blind. But it is sad to me that he could not make his understanding more practical, at least a bit of the time. Here was a man propagating an active, dynamic, heroic spirituality. He saw himself as a Creator with a capital C, with the power of God in him. Yet there were days when he and his wife went hungry for lack of money. When he died he was taken to a pauper’s field and thrown into a pit, followed soon by two other bodies on top of his. Could he not have used his Divine Imagination to earn a bit more money? There is nothing wrong with giving the devil his due as long as you keep your soul. Anyway, I’m glad I read this book. I gave it three stars because this review is aimed at the average Blake lover, not the aspiring Ph.D. I would give Frye’s and Damon’s books five stars.

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Kamis, 03 Mei 2012

[S881.Ebook] Download Ebook An Appetite for Poetry, by Frank Kermode

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An Appetite for Poetry, by Frank Kermode

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An Appetite for Poetry, by Frank Kermode

Frank Kermode is the preeminent practitioner of the art of criticism in the English-speaking world. As such his task entails the readiness to evaluate in general terms the widest range of texts, both ancient and modern, and also the ability to make public sense of the seemingly arcane debates about theories of literature as they pertain to the ongoing process of evaluation. It has been Kermode's distinction to make a virtue--as all the best critics have done--of the necessarily occasional nature of his profession. That virtue is evident in every page of this set of essays.

This is a book in which Kermode asks the reader to share his pleasure in the literature of a set of major writers--Milton, Eliot, Stevens. He vividly evokes Milton after the Restoration of Charles II, with a fine speculative discussion of the interplay between his personal and political circumstances and the preoccupations of his poetry. He sets before us T. S. Eliot living in a condition of permanent exile, Wallace Stevens in his old age dwelling poetically in Connecticut, and author/critic William Empson, whose singular career was marked by both the pleasure of the text and the delight in conceptual issues that characterizes so much of the contemporary taste for theory. Other essays draw our attention to debates on the literary canon and problems of biblical criticism and their implications for the study of narrative in particular and the interpretation of secular literary texts in general.

These are professional essays that nevertheless defy the excesses of modern professionalism. Nowhere is this more evident than in the polemical Prologue to the book, in which Kermode sorts out the good from the meretricious in contemporary criticism. He argues that some proclaimed theorists "seem largely to have lost interest in literature," while the best, like Paul de Man and Jacques Derrida, have never lost what Kermode prizes most highly, the very appetite or hunger for poetryand literature. Always readable, elegant even on gnarledmatters, and courteous in contexts where othersare bad-tempered, An Appetite for Poetry is thework of one of the most distinguished mindsof our time. In reaffirming the professional responsibilities of criticism now beingneglected, it displays a generous hospitality tonew ideas.

  • Sales Rank: #2320038 in Books
  • Published on: 1989-09-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.28" h x .90" w x 6.36" l, 1.09 pounds
  • Binding: Hardcover
  • 262 pages

From Library Journal
Kermode, an important critic who authored The Sense of an Ending and many other volumes, resists the post-modern notion that theory is, if not more valuable than literature, then at least its equal. Bringing considerable expertise to each of these ten essays--which treat Empson, Eliot, and Freud, among others--he instead supports a belief in the primacy of the text. In a lengthy, well-argued prologue, he develops his disagreement with theoreticians who hold not only that all texts are equal, but also that the literary "canon" is but a political act to oppress women and minorities. His comments on Milton and on Wallace Stevens are superbly reasoned and expressed. Much can be learned from this major book, but much learning must be brought to it as well: it is addressed to the professional.
- Vincent D. Balitas, Allentown Coll., Center Valley, Pa.
Copyright 1989 Reed Business Information, Inc.

About the Author
Frank Kermode is Julian Clarence Levi Professor of English Literature, Columbia University, and a Fellow of King's College, Cambridge.

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0 of 0 people found the following review helpful.
Five Stars
By Andrew McC.
Frank Kermode is an absolutely first-rate British critic. Always interesting and illuminating.

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Selasa, 01 Mei 2012

[U696.Ebook] Fee Download A Market for Murder, by Rebecca Tope

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A Market for Murder, by Rebecca Tope

Karen Slocombe isn’t sure why she visited the supermarket that day – as a member of the Food Chain Group and a stallholder at local farmers’ markets, SuperFare is a place she would normally avoid. Luckily for Karen, she leaves moments before a bomb explodes, destroying the front of the store. Only a few days later, whilst manning her stall at Bradbourne Farmers’ Market, Karen finds herself in the midst of another horrific crime. Peter Grafton, a fellow stallholder, is murdered in front of her. Despite the attack taking place in a busy town center, no one saw anything suspicious and the motive appears to be a complete mystery. When friends from the Food Chain Group start warning Karen not to tell the police certain details, her suspicions are instantly aroused. Could the two events be linked? And are Karen’s friends involved?

  • Sales Rank: #3079105 in Books
  • Brand: Brand: Allison Busby
  • Published on: 2011-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.00" h x 1.20" w x 4.30" l, .48 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Review
'Exciting, humorous and topical, this is one of her best novels yet' --Crime Time

About the Author
Rebecca Tope is the author of two major amateur sleuth murder mystery series, featuring Thea Osborne, house sitter in the Cotswolds and Persimmon Brown, Lake District florist. She is also the "ghost writer" of the novels based on the ITV series Rosemary and Thyme.

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0 of 0 people found the following review helpful.
A market for murder
By Judi Boone
This book is enjoyable. Nice plot that moves, really neat characters, great detail and , again, enjoyable

I would recommend it

0 of 0 people found the following review helpful.
Pretty good
By bmjp
Gives the reader the backstory for this series. I do feel sorry for the wife, though. And most especially, the daughter.

0 of 0 people found the following review helpful.
Four Stars
By John Pill
interstory line with an unusual twist at the end

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